Languages, Literature And Culture - Research Publications

Permanent URI for this collectionhttps://kr.cup.edu.in/handle/32116/125

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    The Patriarchal Perspectives on Female Subjectivities in the Selected Plays of Atamjit and Mahesh Elkunchwar
    (Central University of Punjab, 2019) Kaur, Amandeep; Saini, Alpna
    The present research is aimed at critically exploring the selected Marathi and Punjabi plays namely Pooran, Farash Vich Uggya Rukh, Main Tan Ik Sarangi Han by Atamjit and Old Stone Mansion, Garbo and Sonata by Mahesh Elkunchwar who are both well-known playwrights of the second half of the 20th century. Their plays are concerned with many social and political problems and divulge various dimensions which help construct female subjectivity. Both demonstrate woman as victim of the caste, class and gender discrimination. Inferior conditions of middleclass women, sexual issues like prostitution, violence, extramarital affairs, rape, murder, gender discrimination, exploitation, psychological disorders have been examined with special reference to construction of a woman’s subjectivity. This research work is significant as these two are important contemporary authors who raise questions about the marginalisation and subjectivities of women in two different societies, languages and cultures of India. The selected plays analyse different women characters in the selected plays who sometimes accept the supremacy of a man, and resist at other times while also representing the psychological constitution of a woman in terms of her gender and her cultural placement. The present study has also undertaken a comparative study of selected plays in order to explore the typically patriarchal perspectives of the two authors in their given cultural locations on how a woman is constructed in contemporary Indian drama. The thesis employs readings of the plays in consultation with diverse disciplines such as Psychoanalysis, Marxism, Gender Studies and Performativity. This study will help forge an understanding of the female subjectivities from varying standpoints under the light of various discourses prevalent in the contemporary Indian locations, particularly, those of the selected playwrights.
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    VOICING THE SILENCES: A COMPARATIVE STUDY OF THE SELECTED SHORT STORIES OF BHARATI MUKHERJEE AND BUSHRA EJAZ
    (Central University of Punjab, 2018) KAUR, SHYAMKIRAN; Sen, Rajinder Kumar
    Women have been viewed and perceived within the constructed patriarchal structure of gender difference. The present research work tries to probe into the silences, subordination and voices of the Third World women in the Eastern and the Western world by undertaking a comparative study of the selected short stories of Bharati Mukherjee and Bushra Ejaz by using feminism as a theoretical framework. The selected short fiction taken for this research work includes Mukherjee’s Darkness (1985) and The Middleman and Other Stories (1988) and translated short stories of Bushra Ejaz, Selected Short Stories of Bushra Ejaz (2010), which are from her collections Barah Anne ki Aurat (1994), Aaj ki Sheharzad (2005). Mukherjee and Ejaz are representatives of contemporary women of India and Pakistan respectively. The selected writers are from diverse socio-cultural locations but what joins them is their dissent against the social and cultural construction of gender. Both of the authors can also be regarded as feminists because they express their rebellion by constructing a variety of adversarial stratagems against the patriarchal culture in their creations. The comparative study leads us to a comprehensive exploration of these writers understanding of the subordinated position of women, their struggle to assert their voice and their audacious efforts to propose new patterns of feminine existence. The selected writers, through their literary creations, try to create a space for the Indian immigrant and Pakistani women that throws a definite challenge to the masculine tyranny. The study also raises questions by dealing with serious and clandestine matters of women. Thereby, their literary creations can be commended as the voice of the women world. The research work depicts the positive role of Indian-American, and Pakistani writers in the on-going conflict of establishing female selfhood. By comparing the selected writers and their selected works, the study contributes to the spectrum of Comparative Literature.