The confluence in the contemporary art world of literature and postmodern visual arts in jeff vande zande�s landscape with fragmented figures

Simple item page
dc.contributor.authorThakur, Smriti
dc.contributor.authorBabu, Dinesh P.
dc.date.accessioned2024-01-21T10:55:50Z
dc.date.accessioned2024-08-14T07:55:29Z
dc.date.available2024-01-21T10:55:50Z
dc.date.available2024-08-14T07:55:29Z
dc.date.issued2020-12-07T00:00:00
dc.description.abstractThe American poet, novelist and editor, Jeff Vande Zande�s Landscape with Fragmented Figures (2009) is a novel that deals with the contemporary world of art, which brings forth the intricacies of the art forms such as collage, action paintings, and drop cloths that have established a crucial distance between the present and the past world of pre-modern art. As the novel revolves around the world of postmodern visual arts and brings this subject into the literary world, it necessitates an interdisciplinary approach, which not only brings the two different academic disciplines of arts together for a critical appreciation, but also creates a new aesthetic experience in the reader, wherein visual arts is seen through the lens of literature, which helps foreground the hidden patterns and motives behind the art work, and the literary work is appreciated with a greater knowledge and understanding of the practices in and theories of the modern and postmodern art. By looking at the symbiotic relationship between visual art and literature through the novel, this study makes an attempt to contribute to the aesthetic appreciation of the engaging confluence of postmodern visual arts and literature in the contemporary world of art. By analysing the text, the study explores the phenomena that have reduced the difference between the original and copy in the contemporary art-world wherein the artist�s aesthetic sensibility seems to derive from other sources, and thus brings into critical discourse those factors that have determined the use of parody, pastiche, irony, and collage in contemporary art forms. � AesthetixMS 2020. This Open Access article is published under a Creative Commons Attribution Non-Commercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited. For citation use the DOI. For commercial re-use, please contact editor@rupkatha.com.en_US
dc.identifier.doi10.21659/RUPKATHA.V12N5.RIOC1S1N4
dc.identifier.issn9752935
dc.identifier.urihttp://10.2.3.109/handle/32116/4404
dc.identifier.urlhttp://rupkatha.com/rioc1s1n4/
dc.language.isoen_USen_US
dc.publisherAesthetics Media Servicesen_US
dc.subjectAesthetic sensibilityen_US
dc.subjectArt Cultureen_US
dc.subjectArt-novelen_US
dc.subjectIronyen_US
dc.subjectModern-arten_US
dc.subjectParodyen_US
dc.subjectPasticheen_US
dc.subjectPostmodern-arten_US
dc.subjectSymbiotic relationshipen_US
dc.subjectVisual-artsen_US
dc.titleThe confluence in the contemporary art world of literature and postmodern visual arts in jeff vande zande�s landscape with fragmented figuresen_US
dc.title.journalRupkatha Journal on Interdisciplinary Studies in Humanitiesen_US
dc.typeArticleen_US
dc.type.accesstypeOpen Accessen_US

Files

Collections

English - Research Publications