Languages, Literature And Culture - Research Publications

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    Romeo and Juliet in the light of the Theory of Rasa
    (IJELLH, 2018) Mishra, Ram Ji; Kaur, Zameerpal
    Indian poetics is nothing but a focus of Sanskrit and Tamil critical concerns. Among which the theory of Rasa is an ancient antiquity. The theory of Rasa is an earnest attempt to indicate the character of the emotional effect of the drama or it successfully explains the rise and nature of realisation of the aesthetic pleasure that a responsive audience experiences while witnessing the skillful enactment of a play. There are many thinkers who have propagated the theory like Abhinavgupta, Bhoja, Sri Sankuka, Bhattnayaka, Bhattlolata and Jagannatha. Romeo and Juliet is a tragic love story drama, in which the theory of Rasa has been applied on the basis of emotions, like love, mirth, pathos, zeal, anger, fear, disgust and wonders, enacted by the character and felt by the audience.
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    Abhijnanshakuntalam in the light of Karuna Rasa
    (The Creative Launcher, 2018) Mishra, Ram Ji; Kaur, Zameerpal
    The theory of Rasa has been mentioned in the sixth chapter of ancient Sanskrit text in Natyashastra. There are eight kinds of Rasas and these are produced with the combination of Vibhava, Anubhava and Vyabhicharibhava. It is a combination of word and its sense which blesses the reader with an emotional effect. It classifies the dramatic content on the basis of emotions. These emotions are a sophisticated concept of the response to the art. In production of a play, Rasa is created by the actor, is enjoyed by the spectator. This theory is mostly applicable to dance-drama. Kalidasa was a great poet of Sanskrilt language in India. His works mainly based on Mahabharata and Puranas. Abhinjnanshakuntalam, a play by Mahakavi Kalidasa, tells the story of king Dusyanta who meets Shakuntala while on a hunting trip
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    Women and Nature in Anita Desai's Fire on the Mountain: An Ecofeminist Analysis
    (Public Knowledge Project, 2018) Kaur,Jaswinder; Kaur, Zameerpal
    In modernsocieties, there are countless ways toview natureor environment.In modern-days,industrial practices move human beings awayfromthenature, so it becomesimportant to consider the ways in which we connect to our surrounding nature.People from all over the world are suffering from the results of the projects, which progress in today's industrial society.The way to such type of thinking is offered by the theory of ecocriticism. Ecocriticism deals withconceptssuch as deep ecology, ecopoeticsandecofeminism. Ecofeminism encouragesour interconnectedness with nature. It also addressesthe subjugation of women and marginalised people.The recognition of social and environmentalinjusticeis presented by categorizing women and subjugated people withtheenvironment. The social and environmentalissues,which are not separate,arethe central tenetsof Ecofeminism. So,the mistreatment of women, people of color and environment stem from thesame place.Anita Desai is one of the India's fore most writers. There are varietiesof ways to analyseand to look at Anita Desai's works. Anita Desai portrayssomething universal and greater by using ordinary and everyday activities.Her novel Fire on the Mountain (1977), won the National Academy of Letters Award in 1977, and The Sahitya Academy Award in 1978. The novel Fire on the Mountain depicts the darker aspects of women as well as the darker shades of nature.It also concernedwith the parallel victimization and domination of women and nature.
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    Environmental Consciousness and Poetry : An Ecocritical study of William Wordsworth and Bhai Vir Singh's Poems
    (IJELR, 2017) Singh, Sapinder; Kaur, Zameerpal
    Ecocriticism is a newly emerged area of research in the literary field. It has a wide scope and approaches which make it a distinguished field of literary studies. Today, this field of literary criticism is not restricted to only English literature but rapidly burgeoning in other languages. In this research paper, I have analysed the poems of two different languages poets from ecocritical perspective. For this research, I have selected Famous English poet William Wordsworth and Punjab Poet Bhai Vir Singh. Bhai Vir Singh wrote his poem in Punjabi, but his poetry have been translated in English. Both the poets have their unique identity in their respective literature or even beyond it. A lot of research work have been conducted on William Wordsworth’s poetry, but comparative study with famous Punjabi poet Bhai Vir Singh has its own significance. Bhai Vir Singh has the same reputation in Punjabi literature as William Wordsworth has occupied in English literature. In this research paper, I have compared the selected poems of both the writers. The study period are 18th/ 19th century (Romantic) Britain and 20th/ 21th century (Modern) Punjab, the respective spacio- temporal and cultural spaces of the poet have been studied. The justification for the choice of William Wordsworth and Bhai Vir Singh’s poetry is informed by their unique poetic vision and techniques. Environmental discourse has become a contemporary treatise. The poems selected for this study are relevant and unique in their discourse. Both the poets selected for this study do not describe what they saw but they express their feeling and passion as a part of what they appreciate and describe.