School Of Languages, Literature And Culture
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Item Aanchalik upnyas aur dalit vimarsha(2012) Sen, R.K.Item Aand Ton Brehmand : Guru Nanak Bani Darshan(Guru Nanak Studies, GNDU, Amritsar, 2013) Kaur, RamanpreetItem Abhijnanshakuntalam in the light of Karuna Rasa(The Creative Launcher, 2018) Mishra, Ram Ji; Kaur, ZameerpalThe theory of Rasa has been mentioned in the sixth chapter of ancient Sanskrit text in Natyashastra. There are eight kinds of Rasas and these are produced with the combination of Vibhava, Anubhava and Vyabhicharibhava. It is a combination of word and its sense which blesses the reader with an emotional effect. It classifies the dramatic content on the basis of emotions. These emotions are a sophisticated concept of the response to the art. In production of a play, Rasa is created by the actor, is enjoyed by the spectator. This theory is mostly applicable to dance-drama. Kalidasa was a great poet of Sanskrilt language in India. His works mainly based on Mahabharata and Puranas. Abhinjnanshakuntalam, a play by Mahakavi Kalidasa, tells the story of king Dusyanta who meets Shakuntala while on a hunting tripItem Ahindi Pradeshon me in rachit Hindi Sahitye Punjab ke vishesh sandarbh me(Deepak Publishers, Mai Heeran Gate Jalandhar, 2012) Sen, R. K.Item The Alienated Self: Ashima in Jhumpa Lahiri’s The Namesake(2014) Kaur, S; Sen, R.K.; Pahuja P.Item The Alienation and Manipulation of Geisha in Cultural Structures of Japan with Special Reference to Arthur Golden's Memoirs of a Geisha(The Criterion: An International Journal in English, 2017) Thakur, Smiriti; Saini, AlpnaArthur Golden's Memoirs of a Geisha is an account of Geisha's life; a life of struggle, and surrounded by various artistic practices where Geisha have no time for themselves. Their life seems glamorous and exciting to the outside world, however, in reality, it is pathetic and an isolated one. The aim of this paper is to focus on the origin of Geisha tradition, which is considered as a cultural heritage of Japan. Simultaneously, the paper throws light on various issues such as the role of tradition, culture, history, economy, and prostitution which contribute to the marginalisation of Geisha in personal as well as social arenas. The paper also deals with the reasons which blur the distinction between Geisha tradition and prostitution. To facilitate the interpretation of Geisha tradition, cultural construction of gender roles has been taken into accountItem Analytical study of the social structure of BAGRI society(Innovation Science Academy, 2018) Sen, R.K; Saini, AlpnaThe social structure of a society is based on its geographic and economic structures. Bagri society is expanded to the border districts of Punjab, Haryana, and Rajasthan. Bagri people are spread from SriGanganagar and Hanumangarh districts to some parts of Bikaner and Churu districts in Rajasthan; Sirsa and Fatehabad districts to some places in Hisar district of Haryana; and some parts of Fazilka, Muktsar, and Firozpur to some rural areas of Bathinda district of Punjab. The fundamental basis of Bagri community‟s identity is their Bagri dialect. This dialect of Arya origin is actually a dialect of Marwari enriched with words from Haryanavi and Punjabi languages. The influence of Rajasthan, Punjab, and Haryana‟s structures and organisations can be perceived on the social structure of Bagri society. This research paper is an attempt to understand vivid/various levels of Bagri community‟s social structure.Item Anchalik Upnyas Aur Muslim Jeevan(2012) Sen, R. K.Item Anchalik Upnyason mein Bhartiy kisan ki Sangharshpurn stithi(2015) Sen R.K.Item anjatiye Sangharsh evam Vikas nitiyon ki sahitiyak Abhivyakti(2014) Sen R. K.Item Articulating Marginalised Identities of Women: A Critique of the Selected Novels of Shashi Deshpande and Toni Morrison(Central University of Punjab, 2016) Pahuja, Poonam; Sen, Rajinder KumarItem Autobiography as a social critique: a study of madhopuri's changiya rukh and valmiki's joothan(Central University of Punjab, 2017) Kaur, Kamaljeet; Singh, AmandeepAutobiographies shed light on the whole social milieu of a particular time and space through the life story of an individual. In the Dalit literature, autobiographical writing occupies important place. By foregrounding the problems of the current social structure of India, these autobiographies present important social critique of the prevalent problems. Balbir Madhopuri's autobiography Changiya Rukh and Omprakash Valmiki's Joothan reflect the internal agony and pain of Dalits. This research work is an attempt to analyze these two autobiographies as a form of social critique. Balbir Madhopuri's Changiya Rukh represents the painful history of Dalit fraternity. It outlines the difficulties, sufferings and harsh realities of Dalit life. Along with the real picture of casteism, it also highlights the physical torture, mental anguish, religious and educational exploitation of Dalits. The writer points out the dual nature of society in the context of caste based discrimination. Omprakash Valmiki's Joothan is not only one man's biography, but it is also a tale of whole Valmiki fraternity. Joothan unveils our cruel social system that exploits Dalit people. The word 'Joothan' itself reflects the poverty, pain and disrespect towards the Dalit fraternity and represents the gravity of the socio-economic and cultural rift between the different castes in Indian society. Through these autobiographies, Omprakash Valmiki and Balbir Madhopuri try to bring forward the difficulties faced by an individual in a layered/divided society. Both autobiographies are centered on the struggle against exploitation on the basis of casteism and point out the need for improvement and upliftment in Dalit people's life. This study highlights the need for greater efforts on the part of individual and the society to remove these obstacles in the path of progressItem Bagri Boli: Ek Parichyatmak Adhyayan(2014) Sen, R.K.Item Baramah Tukhari: Arth-Sanchar Jugat(Khalsa College, Amritsar, 2018) Kaur, Ramanpreet; Kaur, AmandeepItem Beyond laughter and smiles: analytical paradigms in social media COVID-19 humour studies(Cracow Tertium Society for the Promotion of Language Studies, 2023-08-28T00:00:00) Bageshwar, Bageshree Ramdas; Zafar, ShahilaAmid the deluge of serious social media posts regarding the COVID-19 pandemic, humorous posts brought users much-needed respite. This article reviews studies on social media-based COVID-19 humour in 42 research articles that were selected from four databases, viz. Science Direct, Scopus, Taylor & Francis, and Web of Science. After the classification and analysis of the articles on the basis of some key features, a detailed description and discussion of the findings have been carried out. The results concerning the characteristics and functions of COVID-19 humour reveal that most studies investigated image-text memes; the most important feature found was �humour�, in addition to others like sarcasm, irony, satire, criticism, juxtaposition, and locality. Intertextuality played a significant role in the structure of humorous posts, especially those related to specific countries. Additionally, it shows that although research on COVID-19 humour on social media is still in an early phase, several findings appear stable across various studies included in this review. Moreover, most humour studied is not only about the virus or the disease itself, but also focuses on absurd situations individuals found themselves in due to the pandemic and the lockdown that followed. � 2023,European Journal of Humour Research. All Rights Reserved.Item Bhagat Sain ki vanime in guru evamsatsang ka mahatav(2011) Sen, R.K.Item Bhagat Sain: Jeevan vasahitye ka mulyankan(2012) Sen, R.K.Item Bhagat Sainkivani me in Ishvar ki samkalpna,(2012) Sen, R. K.Item Bhakti kaleen Bhakton mein Bhakt Sain ka Sathan,(2013) Sen, R.K.Item Bhakti Kaleen dalit santon mein bhakt Sain ka sathan(2012) Sen, R.K.