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dc.contributor.authorSingh, Jagdish
dc.date.accessioned2018-08-30T05:10:34Z
dc.date.available2018-08-30T05:10:34Z
dc.date.issued2014
dc.identifier.citationSingh, Jagdeesh (2014) A filmic historic mapping of 1857 A comparative study of styajit ray's shatranj ke khiladi and shyam benegal's junoon.en_US
dc.identifier.urihttp://kr.cup.edu.in/handle/32116/1659
dc.description.abstractThe representation of history through the medium of film has been an important trend in the filmic world. While concerning with the different issues raised by the cinematic representation of a historic event, the films involve various types of thematic, ideological and hegemonic discursive practices of the period. The 'discontinuous' nature of history and the deconstruction of established notions from time to time makes the film version of history subordinate to the times in which it is made. The present study focuses on the comparative analysis of two films: Shatranj Ke Khilari by Satyajit Ray and Junoon by Shyam Benegal. Both the films are based on the revolt of 1857. The focus is to analyse how Ray's metaphoric use of chess and Benegal's blending of the historic event with the personal makes the difference in representing history through the medium of film. Both the films showcase the history of the revolt, its background and the colonial strategies of the British. The study focuses on how the filmic representation of a historic event in the non-fictional way differs from the fictional and historic representation.en_US
dc.language.isoen_USen_US
dc.publisherCentral University of Punjaben_US
dc.subjectNew Historicismen_US
dc.subjectFilm and Historyen_US
dc.subject1857 Revolten_US
dc.subjectShatranj Ke Khilarien_US
dc.subjectJunoonen_US
dc.subjectColonialismen_US
dc.titleA filmic historic mapping of 1857 : A comparative study of styajit ray's shatranj ke khiladi and shyam benegal's junoonen_US
dc.typeMphil Dissertationen_US
dc.contributor.supervisorSaini, Alpna
dc.identifier.accessionnoT00106


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